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Showing posts with label spunk. Show all posts
Showing posts with label spunk. Show all posts

Wednesday, April 11, 2012

doing her/his thang

dexterity

 

 



above: Ntombi Mbambo posted on YouTube by Konstant515

"For half a century photography has been the "art form" of the untalented. Obviously some pictures are more satisfactory than others, but where is credit due? to the designer of the camera? To the finger on the button? To the law of averages?
Gore Vidal: American author, playwright, essayist, screenwriter, and political activist
accessed from http://www.photoquotes.com/showquotes.aspx?id=287&name=Vidal%20,Gore#931 


During my time in the department, I have come to know of students who show artistry in other area's. Some students have been Olympic synchronised swimmers (derryn 2006), Kwazulu Natalian cyclists (bronwen 2009) South African ice hockey representatives (kristyn 2011). There are/were pastry chefs (dena 2011), musicians (sibonisa 2012) wanna be musicians (siya ndlovu * wink wink 2012), poets (lelo, gcobisa, lindy 2010/2012) and  dancers (se below) ...  ...  ... and so much more TALENT to be discovered in the department, besides photography. 

This post is dedicated to showcasing students with other 'gifts'. 
Let me know via email if you know of a student who I can showcase. Simanga (aka Konstant) from first year posted these two YouTube videos of Ntombi and Monde doing their thang's outside the department in November 2011 (end of portfolio hand in!)... 
 


above: Monde Ngcobo posted on YouTube by Konstant515


C=:-)
*chef



Thursday, February 23, 2012

Fashion on Location with Paul

Parys in Dirtbin
the subject in Paul's email



Alumni (or past 2009 student) Paul Reichle [PR] shared his experience of a Fashion Shoot with me via gmail so that I could blog it PR's blurb: "The shoot was for a local designer Bianca Kim _ who sells her stuff 'Miss Religious' at the I-heart market and a couple boutiques too. Bianca wanted a Grunge feel and sent me a pic of the location she had in mind which blew me away. I had no idea there even was a mini eiffel tower living in Dirtbin.

Upon arrival at the location we realized that the ladder we bought to the shoot was too short so I borrowed one from the Church next door. We got to the roof and had about 12 looks to get through - The wind was pumping which made working conditions difficult_ constantly blowing hair into the models face and my lighting equipment. My assistant 
 (I advise that everyone has an assistant especially when working on location) had to hold all the equipment.

I was aiming for a mix of styles with this shoot as Bianca's Target market is girls aged 16 to about 30, i mixed a combination of lifestyle in with editorial fashion- l strongly believe that lifestyle shots are great to sell a product such as clothing as prospective clients can picture themselves in the clothing, if the clothing is too fashion orientated it could be too intimidating for a young girl. 

I used a very harsh light source - no softbox or diffusers so as to stick with the very moody feel we were going for and then shooting on manual mode - I underexposed the scene by about 2-3 stops to make the background very dark and eliminate or put less emphasis on any unwanted elements - such as the buildings cars and shops in the background. I then pumped a very powerful flash at high power onto the subject making the model pop out into the picture. I asked the assistant to keep the light quite high and close to subject in order to make harsh shadows under the models chin - making the pics look quite raw and giving dimension and shape.

Problems we encountered while shooting: Models found it difficult to balance on the beam and walk on the corrugated roof which made posing tough, I also ran out of battery on my lights toward the end of the shoot and had to tone down the power of the flash as we finished up."

Paul attached some images and they were specifically chosen by him to show:

(below)  ---> "how crazy the wind was"


(top)  ---> "how dark the background is when the flash goes off and other shows the sh*!!y (Paul's words not mine) the background looks without the flash".



(top) ---> shot with toned down flash.


(top) ---> the lifestyle element 


(top) ---> shows fashion editorial element



I also asked him about his website and in typical Paul fashion he replied: "Oh and my website is currently bubbalaas -  in the process of constructing a new one but I'm building numbers with my Facebook page if you can get the peeps to go join. PR also asks "if any one is keen to assist on weekdays for a personal project called rainbow nation, just an hour or so here and there when I'm in the area".

Contact Paul on--->  paul.reichle@gmail.com  or "be-friend" him on his facebook page:
http://www.facebook.com/pages/Paul-Reichle-Photography/236837686843
 

Bianca Kim's facebook page:
http://www.facebook.com/pages/Bianca-Kim-Clothing/118744504852516

Thanks Paul.
 

Tuesday, January 3, 2012

Wednesday, November 2, 2011

Tribe_3 /_4 exhibition


bye-bye, hamba gahletsimaya sintle bye, farewell, adieu, au revoir, ciao, adios, voorspoed,  so long, see you later,  sayonara; bon voyage; cheers; informal toodle-oo,   
see you...

Sabelo sent me these images yesterday_ I wanted to make my own post on saying goodbye to the Third years and to Lauren and Deseree (Tribe_4). Try to get to see the exhibition currently held @ the DUT Art Gallery> its up for a week_ remember to leave a comment in the guest book.






 Also see Nicole's post below_click below.



 •

I am going to put in 2 quotes from http://www.quotegarden.com.  
They say what I feel_better than me.  

Let my blackberry take you back... top left window
  
((1))
 Gone - flitted away,
Taken the stars from the night and the sun
From the day!
Gone, and a cloud in my heart.

Alfred Tennyson

 ((2))
 Some people come into our lives and quickly go.  
Some stay for a while, 
leave footprints on our hearts, 
and we are never, ever the same.  

 •
  lots <3
be well • do good • keep in touch osmosisSTYLE

 

Tuesday, October 25, 2011

Double Exposure

Me and the other ME more questions on identity 
This blog entry showcases another ADP [Applied Digital Photography] assignment given to the 2nd years sometime in September. The images and blurbs are viewable on a Picasa Web Album_ click on 'buka lapha' to take you there...


screenshot off my hard drive

 
Outline
The theme of this assignment was about revealing another side of ones ‘identity’ that is normally not ‘exposed’ to others. The students were asked to juxtapose (make a comparison, put side by side) what they show outwardly (external, exterior appearance, what people see, clothed self) as opposed to that which is hidden or private (internalized, and in a sense ‘unclothed’).



Double Exposure
Double Exposure [DE] in Photography is a technique in which a piece of film is exposed twice, to two different images. The resulting photographic image shows the second image superimposed over the first. This technique can be used to create an artistic visual effect by creating ghostly images or by adding people/objects to a scene that were not previously there

For this assignment, the term, DE, literally means_ to expose oneself twice or expose two personalities by:
  • juxtaposing onesself clothed (concealed) contrasted by ‘unclothed’ (naked/revealed) in one environment.
  •  examining tensions and dialogues (see the suggestions listed below) between what one reveals (public) and what one conceals (private). 
  •  showing how ones outward appearance can be ambivalent (see glossary for definition).

Body Art as Text
Additionally the students were asked to adorn or scar your ‘unclothed’ self with ‘body art’ of your choice with the intention to tell a story about oneself. The characteristics, mode and placement of the body art becomes a 'text' and further adds a conceptual element to the image. These 'texts' must be sourced from the student's own photographs (eg photographs of textures, designs, patterns, shapes etc) and converted into tattoos, scars or body modifications utilizing Photoshop’s blending modes, filters and masking capabilities.  For example: lines on a body, created by photographing tiles on a floor may imitate stretch marks which indicate a pregnancy etc.



 
 being clothed vs being unclothed 
  • Being physically clothed defines many things, such as:
·       The way you dress and style your outward appearance reveals part of your culture and identity
·       Keeps you warm, secure and protected
·       Hides your ‘unclothed’ body: body defects, skin or marks
·       Act of concealing
·       Act of secretness
·       Artificial
·       Formal
·       Adorned
·       Social constraints
·       Public
·       Be someone else
·       Oppressed
·       safe
  • Being unclothed defines many things, such as:
·       Makes you powerful or vulnerable or both
·       Exposes nakedness: without covering/protection, easily harmed
·       Is revealing
·       Shows your skin: natural covering
·       Informal
·       Insecurities / Emotions
·       Private
·       Freedom
·       Unsafe

osmosisBLOG posts on ARTISTs and interrogation of “identity"
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Glossary:
SYMBOLISM: a shape or sign used to represent something à meaningful, significant or representative
MONTAGE: the process or technique of selecting, editing, and piecing together separate sections of film to form a continuous whole.
JUXTAPOSE:  place or deal with close together for contrasting effect
AMBIVALENT: to have mixed feelings or contradictory ideas about something or someone.
BODY ART: the most common forms of body art are tattoos, body piercings, scarification, branding, sculpting (corsets etc), body painting.

Wednesday, October 19, 2011

words make images

ying and yang tagged over with a smiley
(DIKSON)


Slam Poet, DIKSON is one of the poets performing at the Poetry Africa, organized by the Centre for Creative Arts (University of Natal). I had a chance to watch him perform today and was inspired by how his poetry formed clear visual images in my head... I was intrigued... Thoughts and questions ran through my head... about the relationship between text and image... like...Do pictures speak louder than words? Can one listen to words without forming pictures? Photography as text... Text as Photography... Text and Photography... possibilities of being poetry inspired.

----> watch Dikson's YouTube Video above

I formed some incredible images from Dikson's words.  I made photographs in my head with the help of Photoshop with no camera! Here are some of my favorite words from the poem in the video above.
  • "turns people into salt and runs blood through drainpipes?  
  • "tears forming blue pearls where the eyelids would touch", 
  • " his breast pocket was where he kept his rainbows and confetti" 
  • "add a slash of colour to dimly lit rooms" 
  • "slouched back in his chair, leaning on the weakest leg hoping that maybe he might fall and lighten the mood" 
 Get more familiar with "slam" by clicking on the "buka lapha's" below.
 
 lingering words by Dikson
" somethings are too big to describe so trust your eyes and what ever it is that makes you smile" 

Saturday, July 16, 2011

Lolo Veleko

Beauty is in the Eye of the Beholder 




Nontsikelelo [Lolo] Veleko's [LV] funky street fashion portraits captured on the streets of Johannesburg. Memorable and powerful, LV's images pose questions around how identity is perceived, and often assumed, and at the same time of how her subjects use their clothes to construct their guises of identity.
http://www.artthrob.co.za/05editions/profile012.html





 

Thursday, June 2, 2011

feelings of emptiness

FEELINGS of BEING


Yolanda Zondi_YZ (a second year Student) created this 'extremely personal' image in response to a wonderful Viscom2 assignment set by Taetim (see Tae's blog on my blog list) a few weeks ago, where Taetim asked students to submit any one image that spoke of feelings of being:
  • completely consumed by life
  • completely fearless and carefree
  • in complete control of a particular situation
  • empty
I asked YZ to email me her 'blurb' and this is what she wrote:
"This image might not be one of my best works but it has sentimental value to my life, it takes me to a place I have not been in a very long time. A cold place filled with sadness and emptiness a dark place of wanting to belong and be loved by the person who left a void in my soul that can not be filled by anything. It brings emotions and expressions involuntary of tears and sorrow. The image portrays a child looking down from the sky with innocence and the empty suit which my father is suppose to be wearing but its empty because he is not there. The child is in the background representing me in black and white to show that he is now a part of my past,the suit is in colour to show the presence and that he should be here but his not! This image represents my dad and I, how he left my mom and me when I was three years old,young and innocent making my mom carry his burdens and leaving me with questions which will never be answered. Why did he leave? What did I do wrong?  He is the missing link to my life. I wish he could see the young lady I have become today and I no longer blame myself for him leaving. My mom has done an excellent job in raising me and I forgave him long ago but there will always be that hope that he might one day fill that space in my heart. Although he is not there, he is a part of my life because he has influenced my past negatively and my future positively in making me independent and to strive to be better in life. He is the one who is missing out!"

Thank-you to Yolanda for YOUR individual story and sharing this with us.
 
I hope that Yolanda will inspire others to make images (and share these) that are close to their hearts_ where they reveal an image maker's authentic creative response to life and life's matters from a personal world. Please can other 2nd year students email me their images with a short 'blurb' outlining their ideas on osmosisliza@gmail.com in response to 'feelings of being' assignment... I would love to add them to this Blog post and showcase other images.

Monday, May 2, 2011

art on art

Celebrating the Negative

 Whilst searching for images on Henri Cartier Bresson (HCB) for my previous post_ I 'osmosed' onto these... a commentary by others on the famous 'Decisive Moment' Photograph. 


HCB describes taking it:
“There was a plank fence around some repairs behind Gare St. Lazare. I was peeking through the spaces with my camera at my eye. This is what I saw. The space between the planks was not entirely wide enough for my lens, which is the reason the picture is cut off on the left.”
http://www.ethertongallery.com/html/specialprojects/negative/details/6.htm 

John Loengard: Celebrating the negative



A Website 'artfully' recreating the moment using Lego sets.
 

 
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Wednesday, April 20, 2011

What Kind?

You are all invited to meet, listen and engage.
 Guest lecture by:
PETER McKENZIE 
(click to read and see more)

"People look out of the frame as if trying to see beyond their immediacy with expectations tempered by their realities" 
(from artist statement)


 
South African Photographer Peter McKenzie will be presenting his documentary film ‘What Kind?’ at the Department on 29th April 2011 @ 9am.  This film is about his home township of Wentworth.  PMcK will also be chatting about his Photographic practices and his recent exhibition which will take place soon, at the KZNSA (click to see venue on Google Maps) on 10th May.  

Historically PMcK's (click to read more) genre of Photography lies in Documentary and Photojournalism.  In the 80's he was one of the founders of the agency  Afrapix  (click to read more) and a chief photographer for Drum (click to read more) magazine. Currently PMcK holds many international and national exhibitions and workshops on Photography.  


I have recently had many incredible conversations with PMcK about Photography. There are 3 things that PMcK  often says, that resonate for me, as they make me think more about the nature of Photography and these are:
1. A Photograph is both "a mirror and a lens".
2. His interest in the conundrum  (the confusing question, the problem) of the "space between the lens and the subject". 
3. A Photographer doesn't take or shoot a Photograph, he/she imbues (inspire, permeates a quality or feeling) or makes a Photograph.

Lets take these conversations further when PMcK makes his visit. 
---> Please make sure that you diarise and make an effort to attend.
 
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Friday, February 25, 2011

PPP...Paulo's Published Photograph

WELL done 2
Paulo Menezes
[a current first year] 
for having his photograph published in this months edition of the PIX magazine.


I was at the La Lucia Mall's Exclusive Books and was paging through the Photographic Magazines and 'discovered' Paulo's image and so, when I saw him on Monday in lectures asked him to send me an email of the image and a short 'blurb' to outline the image. 

This is what PM emailed me: The image depicts a garden pot backed by rounded wooden slats. The scene forms part of a neighbour's boundry wall. What drew me to this shot was the way the light fell on the scene, and how it brought out the texture of both the pot and the wooden slats. The image was taken at midday in overcast conditions. No flash was used. 
Camera:           Olympus E-520 with an Olympus 14-42mm lens
Exposure:         1/15 at f13 (ISO 100)
  

 

Thursday, February 17, 2011

meet... baby Nda


Siyamthanda at 8 months and 3 weeks old and look how talented he is.
Couldn't think of a caption to write... any ideas?


aSd_artSpace

ArtSpace Durban showcasing ex-students works... current show entitled

15 February - 05 March 2011

Bwalya & Chillies @ the opening
Jacki Bruniquel and Noxolo Zwane [aka Chillies], are past students who both have their works on display.  
[Click on their names to read other blog entries that speak of their works]


INVITE for SATURDAY 26th February 
JACKI  will doing a walkabout @ the Gallery  [click to get address and telephone numbers] on Saturday the 26th of February at 11am followed by a short talk on “The digital Revolution –  Processing, Retouching and the Modern Photographer”.
Entrance is free and all are welcome! I am going to be there!

artSpace address

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